Search Results for: mutualnight

#MutualNight: Lomax, Smith, and Black History Month

(Quick reminder: if you’re curious why I’m writing about music on a Mormon blog, this post will summarize what #MutualNight posts are.)

Confession: I’ve been putting off writing this post for a long time now. But as Black History Month ends tomorrow, I’m at kind of a deadline. Because there are two recent music releases that are ambitious, virtuosic, and critically important, while, at the same time, they’re intensely listenable. And I want to do them justice, but I just can’t. Still, I’m going to try.

400: An Afrikan Epic

In early January, my family and I spent a few days in New Orleans. As we were headed home, we stopped by the Whitney Plantation. Touring the Whitney Plantation is an incredible experience, because it’s focused almost exclusively on the experiences of the enslaved persons who lived and worked there. It has several monuments, monuments listing the names and origins of the enslaved persons, monuments to the enslaved children on the plantation, sculptures and statues memorializing those who were enslaved. In fact, unlike any other plantation tour I’ve been on, the big house was an afterthought—we went in it for literally the last three or four minutes of an hour-and-a-half tour. [Read more…]

Women in Jazz #MutualNight

(Quick reminder: if you’re curious why I’m writing about music on a Mormon blog, this post will summarize what #MutualNight posts are.)

We’re nearing the end of Women’s History Month; in light of both the month and the current environment of #MeToo, I thought it might be worth looking at women in jazz.

Because honestly, women have historically been excluded from jazz. Sure, you can point me to Billie and Ella and Nancy Wilson and maybe even Carmen McRae. And you know what? They’re all singers. They’re amazing singers, but, while “[w]omen singers were tolerated and even spotlighted, especially with the advent of the big band era, … [women] instrumentalists had a much tougher time of it.“[fn1] [Read more…]

Christmas in Three (Musical) Acts #MutualNight #ChristmasEve

Chicago Decembers are a great preparation for Christmas. Between the Holiday Train, the lights on Michigan Avenue (and everywhere else), the Christkindlmarket, the Neapolitan Crèche at the Art Institute (and, in fact, the crèche exhibit at my employer),[fn1] in Chicago, the War on Christmas has been going Christmas’s way since long before our president declared victory.

For me, while all of these things are great, music is a central part of the mood and message of Christmas. And after Karen’s incredible deep dive into Mormon Christmas music, I thought I’d share how 2017 live Christmas music shaped up for me. [Read more…]

#MutualNight: Diwali and Indian Jazz

(Quick reminder: if you’re curious why I’m writing about music on a Mormon blog, this post will summarize what #MutualNight posts are.)

Subharnab Majumdar, The Rangoli of Lights. CC BY 2.0

Diwali, India’s most important holiday, starts today. Most of my experience with Diwali has been at the Art Institute of Chicago, which has an annual Diwali Family Festival.[fn1] I’m far from an expert, but the outline of the holiday is this: Diwali, the festival of lights, marks the triumph of good over evil, and of light over dark.

With the upcoming holiday, I thought I’d take a quick listen to some Indian music. Now, if you’re anything like me, your exposure to Indian music has come through two routes: Bollywood and the Indian classical music that found its way into the Beatles’ music.

Unsurprisingly from a country of well over 1 billion people, that’s not the extent of Indian music. [Read more…]

#MutualNight: Matt Wilson’s Honey and Salt

[For a quick refresher on what #MutualNight posts entail and how they relate to Mormonism, read this.]

Full disclosure before I  get started: Matt Wilson is one of my favorite jazz drummers and musicians. I’d put his last two albums (2016’s Beginning of a Memory and 2014’s Gathering Call) in my top 5 albums of their respective years, and his Christmas album is my favorite Christmas album.

And yet I’ve put off talking about Honey and Salt. And that’s for one major reason: Carl Sandburg. [Read more…]

#MutualNight: Ella!

If she were alive, Ella Fitzgerald would celebrate her 100th birthday today. [Read more…]

#MutualNight: The Reunion Project’s “Varanda”

I’m pretty sure the first straight-ahead jazz album I ever owned was Stan Getz’s “Anniversary!” It’s been a long time (I was probably in 8th or 9th grade at the time), so I don’t remember all of the details, but I know I had it on tape, I’m almost positive I bought it at Sam Goody, and I probably bought it because the store was playing it at the time.

Years later, I opened my mission call to Brazil. When I opened it, I basically knew three things about Brazil: that it was in South America, that they spoke Portuguese, not Spanish, there, and that Brazil was the home of bossa nova. See, Stan Getz was one of the earliest American jazz musicians to popularize Brazilian bossa nova in the U.S., and Tom Jobim’s “Girl From Ipanema” led that charge.[fn1] And although “Anniversary!” wasn’t bossa nova, it introduced me to Getz, who eventually led me to Americanized Brazilian music. [Read more…]

Guest Post: #MutualNight: Afrobeat & Fela Kuti’s “Zombie”

Trevor, a relatively recent BYU graduate and Utah transplant, loves to talk music and religion (though not usually in tandem). He blogs (infrequently) at furusatoe and tweets (frequently) at @thabermeyer.

zombieThe first time I heard Talking Heads’ magnum opus, Remain In Light, I was stunned. Released in late 1980, the album sounded like none of its contemporaries in the burgeoning post-punk/new wave scene. The most striking, differentiating feature of Remain In Light is its complex polyrhythms and percussive elements, immediately noticeable even to the casual music listener on tracks like “Crosseyed and Painless” and “The Great Curve.” Yet, as is the case with most music, the heart of Remain in Light is less innovation than appropriation. Following the release of Talking Heads’ previous album, ‘79’s Fear of Music, friend and producer Brian Eno introduced lead singer David Byrne and the band to the work of Nigerian musician and bandleader Fela Kuti – and it entranced them. As related by Eno, Fela’s 1973 album, Afrodisiac, became the template and inspiration for the Heads’ new album:  [Read more…]

#MutualNight: Miles Davis’s “On the Corner”

miles_davis_on_the_cornerConfession: the first jazz album I owned was a Kenny G album.

“But that’s not jazz!” I hear you (some of you, anyway) saying. And I totally agree. In my defense, though, I was in 7th grade, was looking for jazz to listen to, and it’s what my saxophone teacher pointed me toward.

And in fairness to him,[fn1] Sam Goody and the other late-80s record stores classified Kenny G as “jazz fusion,” a classification that helped give “fusion” a bad name among jazz listeners and aspiring jazz musicians.  [Read more…]

#MutualNight: Sharon Jones and Christmas

sharon-jonesThis year has been lousy with the deaths of prominent musicians. Between Bowie, Prince, Leonard Cohen, Phife Dawg, and Merle Haggard, one could certainly be forgiven for missing some of the less-famous deaths.

Of all of the musician deaths this year, though, the one that hit me hardest was Sharon Jones.[fn1] I’m not going to get too biographical here—the Rolling Stone obituary is pretty thorough, and has some incredible videos of her performing—but I will say that the world has lost an incredible singer (and, based on the videos, and incredibly charismatic performer).  [Read more…]

Welcome to #MutualNight: Delfeayo Marsalis

young-women-mutual-improvement-association-jewelry-1931_2I can’t, for the life of me, remember when I first heard it, but I do remember hearing (or reading) that, once upon a time, a significant part of Mutual was introducing Mormon youth to the best of literature, music, art, and other learning. After doing some quick Googling that suggested, but didn’t prove, that my memory was right, I did what any right-thinking person would do: I messaged Ardis. And she was kind enough to respond that yes, the M.I.A. had once been a repository of learning about art and culture.

Satisfied, I decided to follow through on my main reason for searching and asking: the introduction of a virtual M.I.A. Periodically (and undoubtedly irregularly), I plan on introducing and writing about some type of art, music, or literature that I’m enjoying, and what makes it worth sampling. While I doubt that most of my picks will have any significant Mormon connection, I consider this as Mormon a blogging topic as any that I’ve blogged. After all, we have not only roots in the M.I.A. program, but we have scriptural injunctions to seek after anything praiseworthy or of good report, and to learn out of the best books[Read more…]

Charlie Parker at 100

Today would have been the 100th birthday of jazz great Charlie Parker.

If you’re unfamiliar with Charlie Parker, he was one of the founders of bebop, a musical style that followed (and supplanted) the big bands and swing that had been popular before World War II. Bird, as he was nicknamed, played the alto sax. He his playing was fast[fn1] and it was rhythmically and harmonically complicated; it, more than almost any other musical style (except, perhaps, mid-century classical music) encapsulated the same modernism that developed in art and literature during the first half of the 20th century.

And why commemorate Bird on a Mormon blog? There is absolutely no reason to think that he had any connection to Mormonism, nor Mormonism any particular connection to Bird. In fact, according to Michael Hicks’s Mormonism and Music, church leaders in the early 20th century “defined jazz as ‘departure from the correct'” and condemned improvisation. As late as 1948, BYU faculty “scuttled” a proposed concert by Dizzy Gillespie, a contemporary of Bird and another of the founders of bebop, possibly fearing repercussions by church leaders. [Read more…]

The Loveloud Foundation

According to my Facebook feed, Saturday was the Loveloud Festival in Salt Lake. Now in its second year, Loveloud is meant to provide love and acceptance for LGBTQ+ kids. If you’ve followed my #MutualNight posts, you can probably guess that, even if I lived in Utah, I wouldn’t have gone. I’m 100% behind the festival’s message and its goals, but I’m not a big fan of its music.

I am, however, a big fan of charitable organizations. And guess what? The sponsoring organization of the festival is the Loveloud Foundation, a tax-exempt public charity.[fn1]

Now I don’t know a lot of details about the Loveloud Foundation; it received its tax exemption last year, and hasn’t filed a Form 990 yet. (Next year it will file the form, which is a public document.) But there are a couple broad things that we know about it just by virtue of its being tax-exempt. So let’s have a Q&A explainer! [Read more…]