I come from a generation of kids who had to plan their television binging far in advance. I’m sure you have heard of these days: we had three channels (plus PBS for Sesame Street and Mr. Rogers), we used rabbit-ear antennas to improve reception, and we got the TV schedule every Sunday in the newspaper and read through it carefully to see what was coming on TV that week so we could plan our schedules.

(Post adapted from a lesson in the Newburgh Ward priesthood meeting on Sunday, November 8, 2020)

In the aftermath of last week’s election, I have had two books on my mind. Two very different books from two very different parts of my life, but their central messages have come together for me in the aftermath of a national election that has stirred more emotions in me than I thought could be stirred. In such moments, I usually turn to books. It’s how I roll.

The first book is the classic, if highly specialized monograph The Evolution of Animal Communication: Reliability and Deception in Signaling Systems by William A. Searcy and Stephen Nowicki. This is the book that introduced me to the concept of “costly signaling” in evolutionary biology (something that proved very important to my own book on a related topic about ten years ago).

Two of my favorite poems in the English language are Thomas Hardy’s “The Oxen” and GK Chesterton’s “The Donkey.” Both are poems about the New Testament, and both are about domesticated animals, but they are still very different poems. “The Oxen” is a poem by an agnostic who yearns for the story of the Nativity and yearns for it to be true. “The Donkey” is by a deeply religious poet who writes from the perspective of the Donkey that Christ rode triumphantly through Jerusalem on Palm Sunday. But they are both acts of deep private devotion.

In 1680, England had a problem. For a century and a half–since Henry VIII’s Act of Supremacy in 1534–the nation’s politics had been driven by religious disputes, with the three major factions–Catholics, Anglican Protestant, and Calvinist Dissenters–taking turn running the country and killing thousands of people in the process.

In a recent and much-discussed post, Terryl Givens articulates a powerful argument against abortion. His position is well-thought-out, deeply moral, and will no doubt be persuasive to members of a faith that cherishes human life and human dignity. I share many of his concerns about the casualness with which many people–saints and sinners alike–approach the profoundly serious issues that he raises.

By Lynne Larson

[See below for the announcement of a Zoom event on October 11 where we will discuss Maurine Whipple and The Giant Joshua, featuring several people who knew Maurine, including Carol Lynn Pearson.]

 “The building arose from the barren ground like a great white wedding cake. It was eighty-four feet high to the top of the parapet, battlemented like an old castle, and there was a hundred-and-thirty-five-foot tower on top of that . . . Long before the ceremonies were to start, a vast throng of people wandered around the block, squinted upward from the roadway, felt of the solid rock walls with their hands as if to bolster the evidence of their eyes. A temple that would cost a million dollars. The world would have said it couldn’t be done, and so they did it.”

Chapter Thirteen of The Giant Joshua contains one of the novel’s most stirring scenes, a portrait of the aging Brigham Young as he dedicates the temple which the Dixie Saints have worked so hard to build. It is April 1877, and the pioneer leader, with but four more months to live, has traveled to St. George to perform the ordinance. It is the first temple completed in Utah, which Brigham has yearned to see before his death. Maurine Whipple’s description of the cheering multitudes, of their breathless anticipation, of their tears at the prophet’s words, and of the man himself – “His eyes glinted beneath his brows, his white beard trembled . . . the skin of his cheeks stretched tightly over his bones”—is a remarkable gift to Mormon letters, to Mormon heritage, and to southern Utah.

Faint and far in the night the wail of a child
Borne on heedful winds to a heedless ear;
Then, in the gray of a startled dawn, the wild,
Curdling cry of a million voices near. 
–Josephine Spencer, “Revolution”

You know from the book club that BCC Press will be publishing the unpublished work of Maurine Whipple next month. What you might not know is that we will also be publishing the first volume of the collected works of Josephine Spencer (1861-1928), edited by Ardis Parshall and Michael Austin. Spencer, we estimate, is the most important figure in Mormon literature that most people have never heard of.  

On page 72 of the Maxwell Institute’s newest Brief Theological Introductions book, Sharon Harris writes a passage that will forever change the way I read the “itty-bitty books” of Enos, Jerom, and Omni. Speaking of the common charge that Jarom just wasn’t as invested in keeping the record as his ancestors were, Harris counters:

Rather than seeing them as a lag or a slowdown in the narrative of spirituality among Lehi and Sariah’s descendants, perhaps we have more in common with them than we realize. It has now been over a century since a revelation was received that was added to the Doctrine and Covenants. Would we say of our day, however, that revelation has ceased? Of course not. In many ways it feels as though revelation continues to increase within the church. But if people 2,500 years from now were to look back, with one narrow selection of records with which to draw their conclusions, would it look as though revelation was booming in the early twenty-first century? Perhaps not (72-73).

Gonna lay down my burden / Down by the riverside / Ain’t gonna study war no more. Refrain to “Down by the Riverside”

A prince ought to have no other aim or thought, nor select anything else for his study, than war and its rules and discipline; for this is the sole art that belongs to him who rules.–Machiavelli, The Prince, Chapter 14

Last week, for reasons that will matter only to me, I listened to more than a hundred versions of “Down by the Riverside.” The classic spiritual traces back to before the Civil War. First published in 1918, it has been recorded by just about every artist I have ever considered important: Mahalia Jackson, Sister Rosetta Tharpe, and Lois Armstrong, certainly, but also Elvis Presley, Pete Segar, and Raffi. Peter, Paul, and Mary did the hippie version, and the Mormon Tabernacle Choir did the respectable conservative recording. And who could forget Papa Bue’s Viking Jazzband’s classic take on the classic?

Bad apples are in the news again. This often happens when we have a national debate over the behavior of individualswho can be assigned to a category. “Bad apple” theory is the most common way to push back against  “systemic problem” theory. [Read more…]

The story of Moses and the Brazen Serpent is one of the most fascinating narratives in the standard works. I say this because the same story is referenced in three different scriptures, and each time it is invoked to demonstrate a different set of principles.

But it came to pass that whosoever did not belong to the church of God began to persecute those that did belong to the church of God, and had taken upon them the name of Christ. (Alma 1: 19)

One of the most important skills in understanding scripture, or reading any other kind of text, consists of knowing when to read with, and when to read against, the narrator.

Finally, there is the risk of embrace. . . . I open my arms, make a movement of the self towards the other, the enemy, and do not know whether I will be misunderstood, despised, even violated, or whether my action will be appreciated, understood, and reciprocated. I can become a savior or a victim—possibly both. Embrace is grace, and ‘grace is a gamble, always.

–Miraslov Volf, Exclusion and Embrace: A Theological Exploration of Identity, Otherness, and Reconciliation

Much has been written about the classic prisoner’s dilemma scenario. To put the matter succinctly, a prisoner’s dilemma is created when two parties are faced with the choice of cooperating or not cooperating with each other in a situation with the following components:

1. If they both choose to cooperate, they will both be rewarded.
2. If they both choose not to cooperate, they will both be punished.
3. If they make different choices, then cooperator will be punished more–and the non-cooperator will be rewarded more–than would be the case if both made the same choice.

For the last few weeks, and for the rest of the summer, pretty much my whole day job is to plan various scenarios under which a university might open in the fall. It turns out this is a job with about a billion moving pieces, any one of which could blow up at any time and make it impossible to launch a semester. 

Fair warning: this is going to be one of those posts where I ask you to do something at the end–to post YOUR ideal foyer art (or, at least, a link to your ideal foyer art if there are copyright issues) and explain why. Because I really want to know. And because I want to document a space on the Internet where BCC’s legions of readers register their preferences for the LDS foyers of the future.

An analysis of art in the age of mechanical reproduction must do justice to these relationships, for they lead us to an all-important insight: for the first time in world history, mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. . . . Instead of being based on ritual, it begins to be based on another practice – politics. –Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”

As of today, it appears, the art in meetinghouse foyers in the Church of Jesus Christ of Latter-day Saints will be limited to 22 officially approved reproductions. Most of the paintings will be familiar to Latter-day Saints. They are mainly the ones by Del Parson and Harry Anderson that Mormons have been using for years. But there are a few newer ones too, including one of Jesus in what appears to be the African Savannah holding a black child. I call this one “Diversity Jesus.”

All of the Jesuses in the approved collection are lilly-white and vaguely Scandanavian. Diversity Jesus is the whitest of all, with shoulder-length hair and piercing blue eyes highlighted by his equally blue robe. If someone told me that this was a painting of Kenny Loggins circa 1975, rather than a Middle-Eastern Jew from the Ancient Roman period, I would not be terribly surprised.

My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
–Percy Bysshe Shelley, “Ozymandias” 

Shelly’s great poem “Ozymandias” teaches us that civilization is a fragile thing. Human history is not a march of progress from barbarism to shopping malls. We do not always move forward in wisdom, intelligence, and technology, or in economic or political accomplishment. Sometimes we go backward. And sometimes we collapse.

I have been thinking about Job a lot lately. No surprise, really. I think about Job a lot. It’s kind of my schtick.

But I have been thinking specifically about Job’s Comforters–Zophar, Eliphaz, and Bildad–who spend most of the poem portion of Job saying stupid things to make themselves feel better about God. These men have become, collectively, a term for false friends–people who pretend to comfort you when all they really want to do is comfort themselves by telling you all the reasons that what happened to you won’t happen to them.

“The Solarians have given up something mankind has had for a million years; something worth more than atomic power, cities, agriculture, tools, fire, everything; because it’s something that made everything possible . . . . The tribe, sir. Cooperation between individuals.”
― Isaac Asimov, The Naked Sun

I was 15 years old the first time that I read Isaac Asimov’s novel The Naked Sun, the sequel to The Caves of Steel and the second of his science-fiction/mystery novels designed to prove that the two genres could co-exist comfortably in the same book.

In Eichmann in Jerusalem, Hannah Arendt famously examines the “banality of evil.” If I understand her correctly, what she means by this is something like the ordinariness of evil. The horrific evil of the Holocaust was not perpetrated by inhuman monsters with horns and talons, but by ordinary people (like Adolf Eichmann) just doing their jobs.

This is a sermon about stillness. About being still. About doing nothing because there is nothing you can do. About listening. About compassion. And about faith. But mainly about stillness, because, like so many of you, I have been forced to be still by a national crisis that has shut down the place I work, closed the places I worship, and asked me to stay away from people and places other than my home. 

Brigham Young University–my alma mater and an institution that I care about deeply–has been in the news this week for two debates that they are currently having with themselves. One of these debates concerns a contemporary pastoral issue. The other one concerns a fundamental question about the way that BYU, or anyone affiliated with it, should understand and exercise moral reasoning. And here is the tricky thing: they both look like the same argument, and most people don’t realize that there are two separate sets of questions at issue.

This is a story about, among other things, how reading the Bible in different translations can open up vistas that the church-approved King James Version closes down—not by being wrong or inaccurate, but by being more than 400 years old in a language, and a culture, that continue to change.

It is also a story about how slight changes in meaning can have huge implications for how we understand both God and our responsibility to each other.

But mostly it is a story about Zion and how we are supposed to make it.

Opening Remarks to the Eighth Annual Evansville Student Symposium on Homelessness, University of Southern Indiana, February 17, 2020

I am deeply touched and impressed when I look out at this room full of students from our city’s three great institutions of higher education—students studying medicine, nursing, education, social work, and many other fields—and realize that you are all here to address a serious social issue in our community as part of your education. It gives me hope.

Over the last few weeks, Latter-day Saints have had an intense and necessary discussion with ourselves about what Laman’s curse in the Book of Mormon was not: it was not dark skin, it was not wild savagery, and it was absolutely, unequivocally not the origin of any racial phenotypes that still exist today. 

Authors Note: For reasons that are lost to me know, I did not write anything about the Book of Enos in my 2016 series of posts that became the recently published book Buried Treasures. Today, I was assigned to lead a Priesthood-Meeting discussion about Elder Christofferson’s talk, “The Joy of the Saints,” which references Enos extensively. Always looking for messages from the Universe, I took this as a sign and prepared the following lesson, which readers of the book should feel free to print off, insert, and pretend that it was always there.

Enos 1

When I ask people to define “joy”–which I do from time to time because I am weird like that–they usually come up with one (or more) of three related synonyms. Joy, they say, is like happiness. Or it is like pleasure. Or it is like a deep and abiding feeling peace that convinces us that everything is going to be OK.

These, I would suggest, are exactly the three things that look like joy but are not. And perhaps the best way to define joy is to place it in contrast with these three look-alikes.

Editor’s Note: In the month of January, BCC Press will publish three new books about the Book of Mormon, in conjunction with the beginning of the 2020 Come Follow Me reading plan. The first book, which will be published this week in print and Kindle versions, is Michael Austin’s Buried Treasures: Reading the Book of Mormon Again for the First Time. This book collects the 44 #BOM2016 blog posts that Michael did at BCC during 2016 into a single book. The amazing Christian Harrison designed both the book and the cover. Below is the introduction to the volume.

In 2016, I decided to read the Book of Mormon for the first time in 30 years. The last time I read it was in 1986, during my mission to Central California. Our mission president challenged us to spend the week between Christmas and New Year’s Day that year reading the Book of Mormon from cover to cover, which I did. And that was the last time.

At first, I didn’t read it because I never got around to it. I had stuff to do. Important stuff. I was studying “Literature,” about which I thought very highly. And I had read the Book of Mormon several times before and during my mission. I know enough to get by, and even to teach Gospel Doctrine in three different wards. I read the lesson material and scanned the relevant chapters, usually during Sacrament Meeting, and I faked the rest.