Trevor, a relatively recent BYU graduate and Utah transplant, loves to talk music and religion (though not usually in tandem). He blogs (infrequently) at furusatoe and tweets (frequently) at @thabermeyer.
The first time I heard Talking Heads’ magnum opus, Remain In Light, I was stunned. Released in late 1980, the album sounded like none of its contemporaries in the burgeoning post-punk/new wave scene. The most striking, differentiating feature of Remain In Light is its complex polyrhythms and percussive elements, immediately noticeable even to the casual music listener on tracks like “Crosseyed and Painless” and “The Great Curve.” Yet, as is the case with most music, the heart of Remain in Light is less innovation than appropriation. Following the release of Talking Heads’ previous album, ‘79’s Fear of Music, friend and producer Brian Eno introduced lead singer David Byrne and the band to the work of Nigerian musician and bandleader Fela Kuti – and it entranced them. As related by Eno, Fela’s 1973 album, Afrodisiac, became the template and inspiration for the Heads’ new album: [Read more…]