If she were alive, Ella Fitzgerald would celebrate her 100th birthday today. [Read more…]
If she were alive, Ella Fitzgerald would celebrate her 100th birthday today. [Read more…]
I’m pretty sure the first straight-ahead jazz album I ever owned was Stan Getz’s “Anniversary!” It’s been a long time (I was probably in 8th or 9th grade at the time), so I don’t remember all of the details, but I know I had it on tape, I’m almost positive I bought it at Sam Goody, and I probably bought it because the store was playing it at the time.
Years later, I opened my mission call to Brazil. When I opened it, I basically knew three things about Brazil: that it was in South America, that they spoke Portuguese, not Spanish, there, and that Brazil was the home of bossa nova. See, Stan Getz was one of the earliest American jazz musicians to popularize Brazilian bossa nova in the U.S., and Tom Jobim’s “Girl From Ipanema” led that charge.[fn1] And although “Anniversary!” wasn’t bossa nova, it introduced me to Getz, who eventually led me to Americanized Brazilian music. [Read more…]
Today, Donald Trump transitions from president-elect to president.
I’m struggling here to figure out what to write. I want to write that we elected a valueless misogynistic, race-baiting, xenophobic know-nothing as president, but I confess I’m not sure where to go from there.
Trevor, a relatively recent BYU graduate and Utah transplant, loves to talk music and religion (though not usually in tandem). He blogs (infrequently) at furusatoe and tweets (frequently) at @thabermeyer.
The first time I heard Talking Heads’ magnum opus, Remain In Light, I was stunned. Released in late 1980, the album sounded like none of its contemporaries in the burgeoning post-punk/new wave scene. The most striking, differentiating feature of Remain In Light is its complex polyrhythms and percussive elements, immediately noticeable even to the casual music listener on tracks like “Crosseyed and Painless” and “The Great Curve.” Yet, as is the case with most music, the heart of Remain in Light is less innovation than appropriation. Following the release of Talking Heads’ previous album, ‘79’s Fear of Music, friend and producer Brian Eno introduced lead singer David Byrne and the band to the work of Nigerian musician and bandleader Fela Kuti – and it entranced them. As related by Eno, Fela’s 1973 album, Afrodisiac, became the template and inspiration for the Heads’ new album: [Read more…]
“But that’s not jazz!” I hear you (some of you, anyway) saying. And I totally agree. In my defense, though, I was in 7th grade, was looking for jazz to listen to, and it’s what my saxophone teacher pointed me toward.
And in fairness to him,[fn1] Sam Goody and the other late-80s record stores classified Kenny G as “jazz fusion,” a classification that helped give “fusion” a bad name among jazz listeners and aspiring jazz musicians. [Read more…]
This year has been lousy with the deaths of prominent musicians. Between Bowie, Prince, Leonard Cohen, Phife Dawg, and Merle Haggard, one could certainly be forgiven for missing some of the less-famous deaths.
Of all of the musician deaths this year, though, the one that hit me hardest was Sharon Jones.[fn1] I’m not going to get too biographical here—the Rolling Stone obituary is pretty thorough, and has some incredible videos of her performing—but I will say that the world has lost an incredible singer (and, based on the videos, and incredibly charismatic performer). [Read more…]
I can’t, for the life of me, remember when I first heard it, but I do remember hearing (or reading) that, once upon a time, a significant part of Mutual was introducing Mormon youth to the best of literature, music, art, and other learning. After doing some quick Googling that suggested, but didn’t prove, that my memory was right, I did what any right-thinking person would do: I messaged Ardis. And she was kind enough to respond that yes, the M.I.A. had once been a repository of learning about art and culture.
Satisfied, I decided to follow through on my main reason for searching and asking: the introduction of a virtual M.I.A. Periodically (and undoubtedly irregularly), I plan on introducing and writing about some type of art, music, or literature that I’m enjoying, and what makes it worth sampling. While I doubt that most of my picks will have any significant Mormon connection, I consider this as Mormon a blogging topic as any that I’ve blogged. After all, we have not only roots in the M.I.A. program, but we have scriptural injunctions to seek after anything praiseworthy or of good report, and to learn out of the best books. [Read more…]
I have a sure-fire proposal to improve church welfare.
Church welfare admittedly has a long and storied history. In 1936, the Church officially inaugurated the Church Security Plan. President Grant explained that the purpose of the plan was to provide
sufficient food, fuel, clothing, and bedding to supply through the coming winter, every needy and worthy Church family unable to furnish these for itself, in order that no member of the Church should suffer in these times of stress and emergency.[fn1]
In 1936, the Great Depression, which hit Utah hard, was still a recent memory, and its effects were still being felt in Utah. So it makes plenty of sense that church leaders were trying to establish a procedure that could help members weather the financial storm. [Read more…]
Angry? You bet. Tyler Glenn’s latest song and video boil with rage. Glenn, a gay man and former missionary, was embraced by the church for his advocacy in building the inclusivity bridge. That is, until the LDS church’s November 5th policy change regarding homosexuals—a change that codified those in same-gender marriages as apostates, required their excommunication, and forbade the baptism of their children under certain conditions. The policy change hit him hard, like a gut punch, he says. Feeling himself betrayed, denigrated, and literally dismissed over his sexual orientation, Glenn took a hard look at less-visited areas of Mormonism and decided he could no longer believe. The release of “Trash” depicts a stunning reversal of attitude toward his faith heritage. [Read more…]
Way back in the deeps of time, I was sitting on the bank of an irrigation canal. It was the end of summer, and the weedy bank was playing hide and seek with some bright afternoon sunlight trying its best to filter through the leaves of an old elm tree.
When I say “end of summer,” I mean school was about to start—five more days of freedom. The thing is, I was stuck in a crevice of time. My friends, the kids I had found a place with, were all a bit younger. Those kids were still in elementary (primary) school, whereas I was starting middle school (in fact, junior high school). A trick of birthdays and school deadlines put me in the way of a buzzsaw that would inevitably cut my friendships asunder. Not only that, the grade school had a different start date than my new fief of educational thralldom. They were already suited up in the new jeans and stiff-keep-your-shirt-tucked-in button up the center first day of school clothing prisons.
Last week, as I waited in the car to pick my daughter up from school, I heard an All Things Considered review of the recently-released album from Caetano Veloso and Gilberto Gil. And, as these things do, it got me thinking about my mission.
When I got my call to the Brazil São Paulo East mission, I knew three things about Brazil: first, it was in South America. Second, they spoke Portuguese there. And third, it was the home of Bossa Nova. [Read more…]
Today is David Bowie’s 69th birthday. Today David Bowie released ★ (“Blackstar”), his 26th studio album in his five decade-ish career. And Seattle’s KEXP has declared today Intergalactic Bowie Day.[fn]
I’m not part of the Bowie cognoscenti. I mean, I’m familiar with him in the way that anybody who’s part of American culture is familiar with him—I know about Ziggy Stardust, I’ve seen Labyrinth, I’m familiar with his classic rock radio staples, I laughed at Vanilla Ice’s claim that “Ice Ice Baby”‘s baseline differed in some substantial way from Queen and Bowie’s “Under Pressure,” but I never really dug in deeply to Bowie’s oeuvre. [Read more…]
Let’s take as a given that the essentials of any Christmas music collection are Bing Crosby and Ella Fitzgerald, maybe Frank Sinatra and the Rat Pack, Vince Guaraldi. You add in some Mariah Carey and you’ve basically got an FM radio station’s all-Christmas-all-December playlist. And, in all honesty, all the Christmas music you need. I mean, if a musician releases a Christmas album that’s not at least as good as these albums, the album isn’t really all that necessary.[fn1]
And yet. Every now and then, I hear a Christmas album that does something new. Yesterday, for example, I heard Matt Wilson’s Christmas Tree-O. And then I listened to it again. And a third time.[fn2] [Read more…]
Ornette Coleman died today.
I don’t have any idea how resonant his death is in American culture. I don’t know what pictures the words “Ornette Coleman” conjures up in your mind, if any. But I hope to add a little to that picture.
In my mission farewell talk,[fn1] I spent a little time talking about one of my teenage heroes. Charlie “Bird” Parker was an alto saxophone player who revolutionized jazz. With Dizzy Gillespie, he broke with swing and invented bebop, a faster, more cerebral, more harmonically complex style of music.
I admired the Bird’s virtuosity on the saxophone. I admired his improvisational genius. And I admired his work ethic: he may have had a natural genius, but, as a teenager, he also practiced 11-15 hours a day. And it was this work ethic, as much as anything, that appealed to me, and it was this work ethic that made me think of him as a prepared to leave on my mission.[fn2] [Read more…]
November’s Friend Magazine has a remarkable entry that cultivates an attitude transcending mere Toleration in favor of genuinely accepting the religious pluralism that is essential for true religious freedom to exist in democratic societies. That is, the article takes the step from Toleration, or merely tolerating the differences around us (in the case of the Friend essay, religious difference), as the lowest common denominator necessary for a free society to accepting and even appreciating people’s differences on their own terms. Such a perspective strengthens the robust and beneficial pluralism that the Church has argued before the European Court of Human Rights “has been dearly won over the centuries” and is “indissociable from a democratic society.” [Read more…]
Guest post by Michael Hicks.
I’m not always consistent. But I’ve been consistent about two things for many years.
First, in discussions of Mormon music I always say that the masterworks of indigenous Mormon hymnody are mostly in the Primary Song Book. Second, whenever I hear Janice Kapp Perry spoken of in a disparaging or even mocking way–not uncommon among BYU music majors–I always speak up in her behalf. [Read more…]
Last night, my wife and I went to hear the final performance in this season’s Chamber Music Society of Lincoln Center’s Chicago residency. Pianist Wu Han and cellist David Finckel performed all five of Beethoven’s sonatas for piano and cello. [Read more…]
When I was in high school or college, I bought The Shape of Jazz to Come, Ornette Coleman’s seminal 1959 free jazz album. I listened to jazz at the time, especially Miles’s electric stuff, but even more I listened to James Brown and Prince and P-Funk and various alternative rock bands. In fact, I’d probably never heard Ornette Coleman before I bought the album.[fn1] I bought it because I knew it was important, and I wanted to like it. [Read more…]
BCC guest blogger Sharon H. has a background in Humanities education and arts administration, and in her free time, she’s been organizing a pretty epic Christmas concert for the New York, NY stake.
I remember it was over a mediocre burger within my first week of moving to Texas. My colleague was being friendly, telling me about her church in case I needed one. As we were both music educators, she went into extra detail about her church’s music. She told how their previous music minister was a good Christian man but really impossible to work with as a director. But they had just hired a new minister and purchased a completely new sound system all built directly into the sanctuary—I should hear it—and this new music minister was full of ideas and was already asking her opinion for upcoming events. Exciting, I agreed. Had I found a church yet? I had, actually. Do they have good music?
On my mission, in one city my companion and I had to walk 45 mins to get to our area to teach. We were newly together and frankly, she was driving me nuts. She insisted on singing hymns the entire time we walked through the banana fields and winding rural paths. Relentlessly. Finally, I couldn’t take it any more, so I started belting out Woody Guthrie’s “This Land Is Your Land.” She recoiled as if I had just taken a big swig of Vodka, wiped my mouth, and then offered it to her. But then, she accepted the proffered folk song olive branch and started to sing it with me. She shrugged and said she guessed it was not inappropriate even if it wasn’t a hymn. [Read more…]
Next weekend is the first-ever Liahonaroo Festival, a family-themed art and music show just outside of Nashville. Cool idea, right? It’s like Bonnaroo, but without the drugs, public drunkenness, and traffic jams. Which is to say, it’s not at all like Bonnaroo.
The two-day event kicks off Friday at 7pm at the Wilson County Fairgrounds, and the lineup includes more than 30 artists and musicians from around the country (I believe the majority are not LDS, though the show organizers are). My own band, Shakedown at the Majestic, will be playing Saturday night, so be sure to say hi if you’re around.
Tix and info are available at Liahonaroo.com. And if you think this kind of event would work in your community, leave a comment and say so. Maybe the organizers could be persuaded to take this thing on the road next year.
Questions: “sufjan stevens lds?” “is sufjan stevens mormon”
Answer: Oh, I wish it were so! However, it is easy enough to prove that he isn’t:
As you can see in the photo, Sufjan has wings. We all know that Mormon angels don’t have wings. Therefore, we can say decisively that Sufjan is not Mormon. QED.
In this episode, Scott B. listens in as John C. outlines his hopes for the upcoming General Conference (Hint: 2-hour block!), BHodges talks with long-time BCC friend Ken Jennings about Ken’s new book “Maphead,” and Mormon blogging legend GST makes an appearance to tell the world what it feels like to be humiliated on national TV. And if that lineup isn’t sufficient, we also have the sound of our very own Kristine Haglund listening to songs by Michael McLean.
Episode Content Guide (below the fold) [Read more…]
“I got a chopper in the trimmer, shootin’ like Jimmer.”
This website helpfully translates:
Lil Wayne is describing his “chopper” — which is a gun for those that aren’t fluent in hip-hop — by saying it shoots like Jimmer
I think we should do our part to foster more positive press and public awareness of Mormons by encouraging more Mormon-theme lyrics to be included in popular songs. Jimmer has the advantage of being easy to rhyme, but I think we could come up with many other helpful 1- or 2-line suggestions for vocal artists to adopt.
A member of my Elders Quorum started a band, and a few weeks ago he used our EQ email list to request the help in voting on a name for the band. We were given a handful of options, and voted according to our preferences. However, during the email conversation, the idea of Scriptural Band names was tossed around, with several excellent examples being suggested by one participant (e.g., “The Reformed Egyptians,” or “King Men Revisited”). [Read more…]
First, Vaughan Williams: Five Mystical Songs Since I was a little girl, Easter has arrived for me with the opening Rise, Heart (skip to 25 seconds in to avoid annoying announcer). The rest of the five are here. If I ever understand atonement, it will be because of “Love Bade Me Welcome.” [Read more…]
In this episode, Scott B. is joined in the virtual studio by Jonna, a pop music singer in Finland and a convert to the LDS Church. Topics include Jonna’s musical career and current projects, her conversion to the Restored Gospel, and its impact on her personal and professional life.
That is all.
Neylan McBaine is a recurring guest at By Common Consent.
By now, it’s old news that rock star Brandon Flowers of The Killers is Mormon. And perhaps you’ve heard of our other coolest Mormon performer, internationally renown DJ Kaskade. But what if I told you we could also claim a female rock star? A drummer, at that? A drummer whose band’s single reached #1 on the Alternative Rock Chart? Meet Elaine Bradley of the Neon Trees at the Mormon Women Project. [Read more…]