Yearning and Trane

Yesterday I watched Chasing Trane, a documentary on jazz luminary John Coltrane. (I mentioned Coltrane my introduction to Coltrane in my tribute to Dr. Ray Smith.)

The documentary is a perfectly acceptable review of a fascinating life. And what really struck me was Coltrane’s spirituality. He was a religious seeker and, like Bach, he sought to elevate his listeners through his music, to bring us closer to the transcendent and the Divine.

And his approach toward religious transcendence is nowhere as explicit as in his suite “A Love Supreme.” (Jason K. wrote about “A Love Supreme” in a Mormon Lectionary Project post seven years ago.)

“A Love Supreme” is a different approach to religion than we as Mormons usually take, in our music or in our rhetoric. Our hymns are generally composed in four-part harmony with classic voice-leading. The lyrics comfort. The harmonies and melodies are familiar and comfortable. Any dissonance ultimately resolves.

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Christmas in Three (Musical) Acts #MutualNight #ChristmasEve

Chicago Decembers are a great preparation for Christmas. Between the Holiday Train, the lights on Michigan Avenue (and everywhere else), the Christkindlmarket, the Neapolitan Crèche at the Art Institute (and, in fact, the crèche exhibit at my employer),[fn1] in Chicago, the War on Christmas has been going Christmas’s way since long before our president declared victory.

For me, while all of these things are great, music is a central part of the mood and message of Christmas. And after Karen’s incredible deep dive into Mormon Christmas music, I thought I’d share how 2017 live Christmas music shaped up for me. [Read more…]