William P. Gottlieb, photographer. Public domain.

Today would have been the 100th birthday of jazz great Charlie Parker.

If you’re unfamiliar with Charlie Parker, he was one of the founders of bebop, a musical style that followed (and supplanted) the big bands and swing that had been popular before World War II. Bird, as he was nicknamed, played the alto sax. He his playing was fast[fn1] and it was rhythmically and harmonically complicated; it, more than almost any other musical style (except, perhaps, mid-century classical music) encapsulated the same modernism that developed in art and literature during the first half of the 20th century.

And why commemorate Bird on a Mormon blog? There is absolutely no reason to think that he had any connection to Mormonism, nor Mormonism any particular connection to Bird. In fact, according to Michael Hicks’s Mormonism and Music, church leaders in the early 20th century “defined jazz as ‘departure from the correct'” and condemned improvisation. As late as 1948, BYU faculty “scuttled” a proposed concert by Dizzy Gillespie, a contemporary of Bird and another of the founders of bebop, possibly fearing repercussions by church leaders. [Read more…]