Yearning and Trane

Yesterday I watched Chasing Trane, a documentary on jazz luminary John Coltrane. (I mentioned Coltrane my introduction to Coltrane in my tribute to Dr. Ray Smith.)

The documentary is a perfectly acceptable review of a fascinating life. And what really struck me was Coltrane’s spirituality. He was a religious seeker and, like Bach, he sought to elevate his listeners through his music, to bring us closer to the transcendent and the Divine.

And his approach toward religious transcendence is nowhere as explicit as in his suite “A Love Supreme.” (Jason K. wrote about “A Love Supreme” in a Mormon Lectionary Project post seven years ago.)

“A Love Supreme” is a different approach to religion than we as Mormons usually take, in our music or in our rhetoric. Our hymns are generally composed in four-part harmony with classic voice-leading. The lyrics comfort. The harmonies and melodies are familiar and comfortable. Any dissonance ultimately resolves.

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A New Song: John Coltrane

Sometimes we ourselves are the greatest obstacle to the realization of our gifts. Such was the case with John Coltrane in 1957. He was at the peak of the jazz world, playing in Miles Davis’s first great quintet in addition to some historic gigs with Thelonious Monk, but his alcohol and heroin addictions were hindering his ability to participate, and he had to leave Davis’s group for a time. Enter God’s power of redemption: Coltrane later wrote, in the liner notes to A Love Supreme (1964), that in 1957 “I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.” Like Alma the Younger, Coltrane went from being “racked with eternal torment” to singing the song of redeeming love. He spent the next ten years of his life trying to make good on God’s gift to him. [Read more…]